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When your wheelchair is called Karma, you need a sense of humour

Ned moved into a wheelchair four years ago when his legs stopped working. Our life and travel adventures have continued with me as pusher and Ned as sitter.

It came as a surprise to me how many people have pushed a wheelchair short or longer term, often helping elderly parents. And grandchildren love to push … for a while. But I found that people, especially in medical settings, often talk to me instead of talking to Ned, who is more than capable of speaking for himself.

Accessibility is still overloooked in the design and construction of our urban buildings.

Accessibility is still overloooked in the design and construction of our urban buildings. Credit: Gabriele Charotte

Ned’s chair is a light, snug, collapsible number (with the cruelly ironic brand name, Karma). We’ve had great travel excursions in Australia and abroad. But it’s remarkable how attention to detail – or the absence of it – can make or break a wheelchair adventure. Architects, developers, town planners and legislators would do well to take a spin in our wheels.

Footpaths vary. The approaches to some pedestrian crossings are on too steep a kerb, requiring a wheelchair half-circle dance which allows the larger back wheels to navigate the slope without tipping Ned out. And sometimes the surface itself lets you down.

At a Queensland dinosaur experience in Winton, the level concrete path ended abruptly and we then navigated a few metres of thick gravel, which was like pulling the wheelchair through a primordial swamp.

Diana Blom and partner Ned.

Diana Blom and partner Ned.

But our biggest adventures have been with public accessible toilets. These places often hold a special grudge against wheelchair users: not all, but quite a few.

There are those with a small step onto the tiles, just too high for small front wheelchair wheels: not impossible to navigate but requiring the wheelchair half-circle dance to get over the lip, then another slower confined half-circle dance to face the right way around once inside.

Automatic loo doors can be excruciatingly slow – which has callous disregard for urgency and privacy. I understand these sliding doors need to be slow but when you’re in very public view until the last inch – such as some accessible toilets at the Sydney Opera House – both urgency and privacy issues arise. If by chance the door doesn’t lock, then one is on the throne in full view for the diners, a disheartening experience for all concerned. Perhaps a screen or an angle?

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