Boutique auctioneer Phillips sold a 16-foot-wide, red-and-peach painting by Jean-Michel Basquiat for $85 million in New York on Wednesday. Japanese billionaire
Yusaku Maezawa
put the untitled 1982 painting up for sale, and an Asian telephone bidder represented by a Phillips representative based in Taipei won it after a four-minute competition.
The sale didn’t break the $110.5 million record for a Basquiat, held by an untitled blue work from 1982 that Mr. Maezawa won in 2017. Still, the red example sold by Phillips reaped a tidy profit for Mr. Maezawa, the mogul behind the e-commerce site Zozotown, who bought the red Basquiat six years earlier for $57.3 million. That represents a 48% return for the collector.
SHARE YOUR THOUGHTS
What’s your favorite Basquiat work? Join the conversation below.
The Phillips auction continued the art market’s hot streak over two weeks of sales that has seen record prices for works like the “Shot Sage Blue Marilyn” and an iconic Man Ray photograph. Buoyed by the art market’s recent strength and Basquiat’s international appeal, Phillips headed into the sale with a measure of confidence, giving the work featuring a devilish figure a $70 million estimate.
The house hedged its bet, signing up an outside investor ahead of the sale to pledge to bid an undisclosed sum for it if no one else stepped up in the moment, guaranteeing the Basquiat would be sold.
Such financial mechanisms, called third-party guarantors, are increasingly common in the auction industry and in several cases helped larger rival Sotheby’s $409 million modern-art sale the night before. Sotheby’s sale amounted to the house’s third-largest single sale total ever. But its success hinged in part on selling several pieces by Pablo Picasso and others to guarantors who only had to place single bids to win.
E-commerce mogul Yusaku Maezawa bought the newly sold Jean-Michel Basquiat painting several years ago.
Photo:
Pascal Le Segretain/Getty Images
Market watchers pay attention to the number of bidders who compete for works at the priciest levels because thin bidding can hint at potential cracks in collector confidence. On Wednesday, two bidders vied for the Basquiat—so that could indicate collectors still crave his work at a broad level. The work’s wall-spanning size may also have played a role in its appeal.
Increasingly, millennial collectors are starting to champion a fresh slate of artists born long after Basquiat died in 1988. These include Anna Weyant, whose 2021 “Buffet II” sold to a telephone bidder in Hong Kong for $730,800 over its $150,000 high estimate. Another auction newcomer this season, María Berrío’s 2013 “Burrow of the Yellow,” also sold for $998,000 over its estimate of $400,000 to $600,000.
On Thursday, Sotheby’s will cap the New York spring sales with its own pair of sales offering edgy, newer works that collectively are expected to exceed $222 million.
Write to Kelly Crow at [email protected]
Copyright ©2022 Dow Jones & Company, Inc. All Rights Reserved. 87990cbe856818d5eddac44c7b1cdeb8
Stay connected with us on social media platform for instant update click here to join our Twitter, & Facebook
We are now on Telegram. Click here to join our channel (@TechiUpdate) and stay updated with the latest Technology headlines.
For all the latest Business News Click Here
For the latest news and updates, follow us on Google News.
Denial of responsibility! NewsAzi is an automatic aggregator around the global media. All the content are available free on Internet. We have just arranged it in one platform for educational purpose only. In each content, the hyperlink to the primary source is specified. All trademarks belong to their rightful owners, all materials to their authors. If you are the owner of the content and do not want us to publish your materials on our website, please contact us by email – [email protected]. The content will be deleted within 24 hours.
