The current schedule opens Oct. 9 with a recital by tenor Jonas Kaufmann with pianist Helmut Deutsch, and the first full-sized orchestra concert has the New York Philharmonic led by conductor Susanna Malkki with saxophonist Branford Marsalis on Jan. 6.
International orchestras return with the Vasily Petrenko conducting the Royal Philharmonic Orchestra on Jan. 31, and the Vienna Philharmonic resumes U.S. touring with three programs under conductor Valery Gergiev from Feb. 25-27.
The Hall will have a “Afrofuturism” festival in February and March 2022 that envisions to imagine the future through a Black cultural lens involving music, visual art, literature and politics. Carnegie’s “Perspectives” series will be curated by composer/bandleader Jon Batiste and violinist Leonidas Kavakos and its composer’s chair will be held by Julia Wolfe, whose “Anthracite Fields” won the 2015 Pulitzer Prize for Music.
Carnegie has been closed since March 13, 2020. Gillinson said the pandemic had caused a $7.1 million loss in the fiscal year ending last June 30 and the Hall will lose slightly less in the year ending this June 30. The pandemic has led to the Hall slightly reducing its 2023-24 schedule.
“We think its’s going to be a little while before life genuinely gets back to normal. Also, there’s an issue or a question: What will normal be?” he said. “Are orchestras going to travel less because of the carbon footprint? These are all going to be things on the agenda that people are talking about.”
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