‘Women have been waiting for this’: Fashion’s high priestess returns

Yes, and no. While I am relieved that the Phoebe Philo line is an extension of the thought that she had at Céline – yes, I do want that cargo top and the hand-combed embroidered sliced skirt (sold out) and the scarf top and more – I’ll also find it elsewhere in the world, from other designers. These fashion ideas already exist.

While there are pieces that push the envelope (or the zips) slightly, like pants that unzip down the back, which is interesting, I don’t know if it’ll quite take off. Ditto to the zig-zag print leggings, which honestly look like something that came out of an ’80s aerobics video – and not in a cute way.

We can’t buy it in Australia, as shipping is only available in the US, UK and Europe – and yes, we know it sold out anyway – but Australians who do want to purchase and can afford it can find a way to make it happen.

Naomi Smith, fashion director of Marie Claire and Elle Australia.

My first reaction was devastation. What do you mean they don’t ship to Australia?

After falling in love with every outfit and accessory on the website, devastation turned to finding friends in the US to accept my orders.

I own quite a few pieces from Phoebe’s time at Celine and this collection has the same appeal. You know you are going to love these clothes forever.

Considering the resale value of #OldCeline by Phoebe Philo, I’m saving up for that timeless trench coat. It’s an investment.

Phoebe ticks the boxes of what I love as a shopper and a stylist.

Glynis Traill-Nash, In Fashion podcast

The fact it largely sold out within one day of launch says it all. Women have been waiting for this, and Phoebe has delivered.

I love the obvious luxury of it, but with bite. There’s a sense of expansive minimalism, with occasional deep dives into texture and embellishment. It’s sometimes sexy – and a little bit scary. This isn’t something to satisfy the male gaze.

It’s stealth wealth wardrobing for those who find Rick Owens a step too far on the dark side.

Anyone who has managed to snag a piece from this first collection will hold on to it for ever, alongside their most coveted Philo-for-Celine pieces. With Philo back in the game, women feel seen again.

Kirstie Clements, author The Vogue Factor and former Vogue Australia editor

Philo knows her customer, and this collection delivered with great suiting, impeccably cut tailored pants and shirts.

There is a sexiness there, but it’s not frilly or girlie, it’s more intellectual, in serious sombre colours.

The shaggy coats were fantastic, as were the baggy jeans and leather jackets.

Philo speaks a fashion language that many women respond to. It’s not understated, it’s assured.

Eva Galambos, owner and buyer, Parlour X

It’s everything you expected and waited patiently for.

The prices are aligned with old Celine, so don’t expect the Philo-philes to waiver.

True fans will recognise silhouettes and fabrications, given extra edge.

This is what she does best. This is her unique formula. This is her chemistry that makes her such a desirable designer.

I missed Phoebe from fashion.

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