During her directing stint (which started before the series had to stop shooting for more than six months), co-star Ann Dowd texted Executive Producer Warren Littlefield and said, “I’m in heaven with this director. She has another superpower – and that’s directing.”
Although many thought Moss’ character might be killed off after the end of the last season, Miller says it was never a consideration. “The show is called, ‘The Handmaid’s Tale,’” Miller says. “It’s about her.”
The Emmy-winning series did, however, have to go through rewrites just to comply with COVID standards. “We were constantly making adjustments to the script and the story,” Miller says. “It was difficult to get our cast into Canada to shoot. So we had to keep people out of episodes simply because they didn’t have enough time in their schedule.”
At certain times, Moss says, there were only two people in a room. “Thankfully, we were able to proceed with the performances as we would have wanted to, even if we were restricted in numbers.”
Already renewed for another season, “The Handmaid’s Tale” will go on “as long as I can rope Lizzie into it,” Miller says. While Margaret Atwood’s latest edition in the book series, “The Testaments,” goes in another direction, that will be a standalone series.
“We’re delivering on the things that we’ve set up and that’s very satisfying,” Miller says.
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